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Tag: PROPAGANDA

…Ultimate End…

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“There is no way to get away, except, if we all get away together. We can all get away from it together, but the way to get away from it is, we’ve got to replace it with something brand new. So as we run from our problems, we don’t go to war with ourselves, we war against what’s already at war with us. So we transgress against no one who’s not transgressing against us, and we love everyone that loves us. Those who play and prey upon us as if we were the prey, and they were the predator, will find that that the ultimate end is that everything turns around, and all those who have played the prey are now the predators. And all you big bad motherfuckers out there, who think you’ve got over and got away with something – the only thing you got away with is your own destruction. Because it’s right behind you in all shapes and forms. Because in righteousness, there is a divine, and in righteousness, that person that you think has been following you, is God. He follows you all. God, not in the shape and form as a religion, or propaganda, or programming by some Jew’s media, but the righteous of all that is real within the soul of all you can feel. And your observation is the most powerful thing you’ve got. So the suggestion is from the devil himself, you use your powers of observation, and begin to look around you and find out just exactly… where your socks are, haha, and who’s got your shoes, and which way you’re gonna be going from now on. And it’s not what NBC and CBS and ABC is telling you. You better get to looking at your rainforests. Better get to looking at your subjugators. Subjugators, that’s you, we’re talking to you, wake up subjugators. We know you’re not alligators, cause you don’t have teeth, hahaha you lost your teeth…”

Charles Manson- 2010

THE SOURCE OF THE MANSON MYTH | AND ROLLING STONE MAGAZINE

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When Susan Atkins’ “confession” was sold to the European press, as entertaining blood curdling propaganda, a magazine called Rolling Stone had something to say about its potentiality for “damaging pretrial publicity”.
The money was split between Lawrence Schiller, Paul Caruso (associate and co-conspirator of Atkins’ attorney, Richard Caballero), and Susan Atkins- variously cited as $150,000 and $175,000.
Titled “The Killing of Sharon Tate”, this confession/scam/cover up/book was “authored” by Lawrence Schiller, a shady journalist.
Jerry Cohen, and Dial Torgerson (LA times journalists) helped Schiller quickly rewrite the Atkins confession into what Nikolas Schreck called “journalese” in his book, “The Manson File Myth and Reality of an Outlaw Shaman”. I am actually paraphrasing from a few pages within a section called, “Making a Killing: Sadie’s Story and the Schiller Scam”, from Chapter VII- The Soul For Sale: Manufacture and Marketing of the Manson Myth.
The publisher of “The Killing of Sharon Tate” was New American Library, a subsidiary of the same company that then owned the Los Angeles times. Nikolas writes, “While the ethical improprieties of the Caruso-Shilling-Times deal led to much criticism from the mainstream press, it was only the then-countercultural organ Rolling Stone who correctly perceived what a massive violation of Manson’s legal rights had been engineered.”
‘What possible justification could the Times editors have had in running the confessions? Where were their heads? Can an individual’s right to a fair trial, free of damaging pretrial publicity, be so relative? Can it be compromised so easily by the fictitious right of the public to be entertained? … If Miss Atkins’ confession does not constitute damaging pretrial publicity, what does?
What does the phrase mean? Even if the Times could somehow prove that its confession did Manson absolutely no harm, what right did they have to take the risk? The moral decision must be made before, not after, the fact if a man’s right to an impartial trial is to be taken seriously.’
-Rolling Stone Magazine
SOURCE:
Charles Manson: The Incredible Story of the Most Dangerous Man Alive
Book One: Year of the Fork, Night of the Hunter
By DAVID FELTON AND DAVID DALTON